[This scene, though no less horrific, is much easier to stomach. Dead bodies— heh... he almost wishes that the sight of a corpse alone was enough to bring bile to his throat, but he's been exposed far too many times by now. He feels nothing.
But what he does do is tense at the way the other version of Riley gestures for that young girl to finish him off. It... isn't the same; there's clearly a level of attachment there, some understanding that though the situation is horrible, it's necessary. It isn't like how Shido made him—
...]
Looks like a fun time for everyone involved. [He responds with a flat tone. He doesn't know enough of the context to know what's going on here, whether the man was truly guilty of those sins or not... but he wonders what it says about him that he doesn't particularly care.
People die every day, fairly and unfairly, and no one gives a damn.]
How do we get out of here? [If his voice sounds cold, it's definitely not overcompensation...]
no subject
But what he does do is tense at the way the other version of Riley gestures for that young girl to finish him off. It... isn't the same; there's clearly a level of attachment there, some understanding that though the situation is horrible, it's necessary. It isn't like how Shido made him—
...]
Looks like a fun time for everyone involved. [He responds with a flat tone. He doesn't know enough of the context to know what's going on here, whether the man was truly guilty of those sins or not... but he wonders what it says about him that he doesn't particularly care.
People die every day, fairly and unfairly, and no one gives a damn.]
How do we get out of here? [If his voice sounds cold, it's definitely not overcompensation...]